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Imogen Harvey Lewis
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Westgate Street, Cathedral Quarter

High Street Heritage Action Zone Gloucester
for Historic England, Gloucester City Council and Strike a Light

  • Community
  • Public Art Installation
  • Exhibition
  • Graphic Design

Animal cut outs and community workshops using recycled signage

Establishing an open creative space in the heart of Westgate Street enabled a fluid and interactive opportunity for visitors, residents, and workers to intermingle, share stories and create together. My remit was to engage, inform, learn, and co-create within the current historic context of the HSHAZ project.  Multi-way conversations and discoveries became systematic, forming a shared foundation of interest and knowledge about Westgate Street history and renovation work currently taking place within the High Street scheme.

Taking the simple premiss of animals in Westgate – including histories, folktale, and the present day – conversations were sparked and recalled. From an escaped lion in a 18th C theatre; a circus polar bear boiled down for tallow at the local ‘fat factory’; a Golden Cricket found in the tea boxes of a local grocer; to wild urban foxes and the ever-present watchful seagulls; the weaving of animals throughout Westgate history link to an accessible aesthetic narrative.

An innovative use of Pop up installations filled empty space with public art. Maximising visual impact to engage and entertain, Animal cut outs drew people in and made them smile. The manifestation of art in the Highstreet helps to maximise public vision and perception of what we have and what could be, were all spaces activated, cared for and in use. The private business sector also benefits from life, in the form of engaging creative arts, spreading into forgotten and dormant areas otherwise sorry and void.

https://historicengland.org.uk/services-skills/heritage-action-zones/gloucester/#benefits

I chose to approach my sculpture as I do with the majority of my work, intuitively and head-on, coming at it with an idea and allowing the visual concept to play out. Though mindful and dedicated, by not over thinking my practice, I strive to balance sparky enthusiasm with measured methodology and technique. Keeping it fresh.

My Kingfisher, Lockdown Love Bird, is an illustration of living though lockdown and the counter intuitive notion of socially distancing from someone you love.

During the pandemic, nature has been a constant uplifter and delight. My design celebrates our living alongside the natural world.

The printed text within Love Bird is a love poem, lilting around the form from hand to chest to speech bubble. It is taken from my short, illustrated book, Rubbish (published Yew Tree Press in 2021), which delicately and frankly describes the incredulous ordeal of physically distancing from a loved one during this past lockdown year.

Capturing the lockdown zeitgeist in a playful, yet poignant visual suggestion, Lockdown Lovebird is of the moment, a recollection and slightly anarchistic two fingers at covid-19. Having diligently socially distanced from so many loved ones outside of my allocated bubble, I, like many, found this really hard. My kingfisher celebrates nature, reflects on human nature and combines the two in a visual challenge.  Art, like life, isn’t served on a plate.

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About Imogen

Imogen Harvey-Lewis
Free lance illustrator and compulsive drawer.
Accepting a wide range of illustration and design commissions.
Original graphic style and commercially viable images.

Latest Posts

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